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Thrissur Women's Theatre Festival Showcases Female Creativity & Resistance

Explore how Thrissur's Women's Theatre Festival celebrated female creativity, resistance, and Kerala's theatre history with 14 productions and notable awards.

T
The Hindu
Aug 30, 2026 · 3 min read
Thrissur Women's Theatre Festival Showcases Female Creativity & Resistance

The Regional Theatre in Thrissur transformed into a dynamic showcase of women’s creative expression on Sunday, August 30, 2026, as the state’s first-ever Women’s Theatre Festival, organized by Vanitha Sahithi, drew performers, playwrights and theatre lovers for a day of powerful storytelling and artistic resistance.

From 9:30 a.m. onward, fourteen productions—including a solo act and four short plays—unfolded, filling the stage, backstage and auditorium with an unmistakable energy. Women took center stage not only as actors but as directors, writers, technicians and audience members, marking a rare moment of collective feminine presence in Kerala’s theatre scene.

Theater activist Sreeja Arangottukara inaugurated the festival, emphasizing its significance in a state where women’s theatre festivals have been historically scarce. She recalled the Kerala Sangeetha Nataka Akademi’s 1998 “Sthree Nataka Panippura,” a decade-long festival featuring plays, workshops and seminars. “Since then, despite repeated discussions, neither the Akademi nor the government has organized another festival that places women at the forefront,” she said. Vanitha Sahithi’s initiative, she noted, revives a long-overdue tradition.

Sreeja also highlighted the under-documented history of women in Kerala’s theatre. “Women’s theatre history in Kerala has been barely recorded, if at all,” she said. She cited *Thozhil Kendrathilekku*, a 1947 play entirely performed and written by women and later published in 1948, which remained largely ignored in mainstream narratives until much later.

She pointed to a cultural shift: “From a time when even the presence of a woman on stage was controversial, today we see young women confidently claiming the stage, overcoming societal taboos about the female body and voice.”

The festival also honored outstanding contributions. Jisha Abhinaya received the Kavunkara Bhargavi Award for Best Script, while Ambika Velayudhan won the Shantha Devi Award for Solo Performance.

Among the featured works was *Fareeda*, which earned first place in Vanitha Sahithi’s State Playwriting Competition. Written by Jisha Abhinaya, directed by Vishnu Abhinaya and presented by Abhinaya Nataka Samithi (Kuttur, Thrissur), the play delves into migration, displacement and identity loss. Set in the fictional village of Pilakkattiri, it follows the struggles of locals including Kakku and Haireenisa, using a symbolic bus named Fareeda to connect personal and collective journeys across time.

More than a theatre event, Sunday’s festival became a space where women reclaimed narrative authority—on stage, behind the scenes and in cultural memory. It also revived a long-marginalized chapter of Kerala’s theatre history, placing women’s voices back in the spotlight after decades of silence.

#WomenInTheatre #ThrissurFest #KeralaTheatre #VanithaSahithi #SreejaArangottukara #KavunkaraBhargaviAward #Fareeda #KeralamTheatre

Source: The Hindu. Rewritten by AI · How We Use AI →
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