«Nous avons peur»: à la Maison de l’Argentine de Paris, le directeur d’extrême droite nommé par Javier Milei est de plus en plus décrié

The director of the Argentine House in Paris, appointed by far-right Argentine President Javier Milei, is facing growing criticism from staff and the public. The controversy centers on the leadership of Diego Guelar, a prominent figure linked to Milei’s administration, who has been accused of mismanagement and political interference since taking office in mid-2024. Employees and cultural figures have raised concerns over the institution’s direction, with some alleging that Guelar’s policies prioritize ideological alignment with Milei’s government over the House’s cultural and diplomatic mission.

The Argentine House, officially known as the Maison de l’Argentine, serves as a cultural and diplomatic hub for Argentine expatriates in France. Since Guelar’s appointment, tensions have escalated, with reports of staff dissatisfaction, budgetary disputes, and a perceived shift away from the institution’s traditional role. Critics argue that his leadership has sidelined key cultural programs, including those focused on Argentine literature, music, and film, which have long been central to the House’s identity.

Guelar, a former Argentine ambassador to the European Union and China, was nominated by Milei amid broader reforms aimed at streamlining Argentina’s diplomatic and cultural institutions. Supporters of the move argue that his appointment aligns with Milei’s agenda to reduce government spending and refocus priorities. However, opponents, including members of the Argentine expatriate community in Paris, have staged protests and circulated petitions demanding Guelar’s removal.

The situation has drawn attention from French officials, with some expressing concern over the potential impact on the Argentine-French cultural relationship. The French Ministry of Culture has not publicly commented, but diplomatic sources suggest that behind-the-scenes discussions are ongoing to address the growing tensions.

Meanwhile, the Argentine government has defended Guelar’s leadership, stating that his reforms are necessary to modernize the institution. In a recent statement, Milei’s office emphasized that the changes are part of a broader effort to make Argentina’s cultural diplomacy more efficient and aligned with current political priorities.

The controversy has also reignited debates about the role of far-right politics in shaping Argentina’s international cultural presence. Analysts note that Guelar’s appointment reflects a broader trend in Milei’s administration to prioritize ideological consistency over traditional diplomatic norms. This shift has sparked both support and opposition, with critics warning of long-term damage to Argentina’s soft power and global standing.

As the debate continues, the Argentine House remains a focal point for discussions about the intersection of politics, culture, and diplomacy in the Argentine diaspora.

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