Yayoi Kusama’s Death Signals a Kind Fall for Art and Humanity
Hyperallergic reflects on the passing of Yayoi Kusama, Dolly Parton, and Sliman Mansour, while exploring loneliness, AI, and art's role in a changing world.
Hyperallergic reflects on the passing of Yayoi Kusama, Dolly Parton, and Sliman Mansour, while exploring loneliness, AI, and art's role in a changing world.
Writer and artist Tessa Hulls discusses her graphic memoir Feeding Ghosts and the project she spent her life avoiding, on Longform Podcast #571.
Derek Thompson, Atlantic staff writer and Plain English host, discusses his career as a 'dilettante' and love for uncovering mysteries in his Longform Podcast interview.
Rozina Ali, a New York Times Magazine writer and National Magazine Award winner, joins the Longform Podcast to discuss her career and latest reporting.
Zach Harris, a journalist known for his engaging profiles on unconventional figures, recently discussed his work on Rolling Stone’s latest piece, “Meet the Gen...
Former Texas Observer editor Megan Kimble talks about her new book 'City Limits,' exploring how highways shape urban inequality and future infrastructure in America.
Vice News journalists Amel Guettatfi and Julia Steers win the 2024 George Polk Award for Television Reporting for their investigation 'Inside Wagner' on Russian mercenaries.
New York investigative reporter Jesse Coburn wins the Polk Award for uncovering a black market in temporary license plates with his 'Ghost Tags' series.
Meribah Knight, a reporter with Nashville Public Radio, has been honored with a 2024 George Polk Award for her work on “The Kids of Rutherford County,” a ground...
Freelance journalist Brian Howey wins the 2024 Polk Award for Justice Reporting after uncovering a deceptive police tactic used in California, published by LA Times and Reveal.
Investigative journalist Jason Motlagh receives the Polk Award for his in-depth reporting on Haiti's descent into chaos.
Amie Cunat’s sunflower paintings, inspired by pandemic isolation, blend vibrant colors and abstract forms to express collective melancholy and nameless experiences in her latest exhibition.
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